Хартум, Судан – Стародавні статуї богів Хекет і Бесет, занадто важкі для пересування, використовувалися для стрільби. 4000-річні скелетні останки з біоархеологічної лабораторії? Розкиданий або спалений. Склад золота вкрали, склади підпалили.
-
Обмін через
Пройдіться територією Національного музею Судану, і всюди можна побачити нагадування про руйнівний вплив громадянської війни на культурну історію країни.
«Це було систематично. Вони заходили на склади і викрадали все, що могли», — сказала Умайма Абдул-Рахман Аль-Санусі, один із кураторів музею, оглядаючи розбиті вітрини. Він мав на увазі Сили швидкої підтримки (RSF), воєнізоване угруповання, яке контролювало столицю та музей з квітня 2023 року до того, як урядові сили захопили контроль у березні минулого року.
Коли Аль-Санусі вперше побачила рівень руйнувань у музеї, де вона працювала майже 15 років, вона заплакала. Навіть зараз, більше ніж через рік після того, як він і його колеги повернулися до музею, в його голосі звучало не дуже тверде розчарування.
У Національному музеї Судану, де зберігається найбільша в країні колекція артефактів із різних періодів історії Судану, у квітні 2025 року після майже двох років боїв між армією та Силами швидкої підтримки (RSF) у Хартумі, Судан, були розбиті старовинні вітрини, а колекції викрадені.
(Халід Абдул Гадер/Associated Press)
«Ці артефакти та місця, вони є частиною нас», — каже він, заспокоюючи пальцями статую нубійського бога Ападемака — єдиного вцілілого, який стоїть у дворі, всіяному розбитими, а іноді й уламками каменю, — коли він проходить повз.
«Ви втрачаєте їх, ви втрачаєте свою особистість».
Громадянська війна в Судані, конфлікт, який, можливо, називають найгіршою гуманітарною кризою в світі, супроводжується насильством, порівняним лише з бажанням бойовиків пограбувати багатства країни.
Подібно до золота, нафти, гуміарабіку та інших ресурсів, стародавні скарби Судану, спадщина послідовних королівств, які процвітали та гинули в долині Нілу протягом тисячоліть, підживлювали військову машину, яка вбила сотні тисяч і виселила близько 14 мільйонів.
За словами офіційних осіб, щонайменше 76 об’єктів спадщини та 20 музеїв були пограбовані RSF і крадіями млинів, які поцупили археологічні артефакти вартістю понад 150 мільйонів доларів. Музей перетворили на казарму.
Лише Національний музей втратив майже дві третини свого інвентарю, який включає близько 100 000 артефактів, що охоплюють передісторію Судану до нубійського, кушського, християнського та ісламського періодів.
1. Sudanese visitors walk past examples of 10th century Christian art work at the national museum in the capital Khartoum on June 25, 2008. (Khaled Desouki / AFP via Getty Images) 2. Haitem el-Nour, new director of the national corporation of antiquities and museums looks at a collection of antiquities at the Sudan National Museum in the capital Khartoum on August 12, 2020. – (Ashraf Shazly / AFP via Getty Images) 3. Buhen temple in the national museum, Khartoum State, Khartoum, Sudan on January 5, 2019 in Khartoum, Sudan. (Eric Lafforgue/Art in All of Us/Corbis via Getty Images)
Some items were smashed and shattered when the museum’s grounds became a run-and-gun battlefield.
The museum was undergoing renovations before the war, so most of the collections were packed in the main warehouse. The RSF stole the artifacts in the same boxes where they were stored, said Jamal Zaid Al-Abideen, a veteran official at the National Corp. for Antiquities and Museums.
“They didn’t even need to break into the strongroom,” Al-Abideen said bitterly, looking at a heavy metal door secured with multiple bolts. Behind it was the vault that once contained almost 2,000 objects of 24-carat gold, gem-ornamented Nabatean funerary figures and ancient jewelry from the Kingdom of Kush. All gone.
“They had the time to go through the museum director’s desk and find the key. They could loot it all at their leisure.”
A Meroitic lion statue in the garden of the Sudan National Museum in Khartoum, Sudan, in April 2025.
(Khaled Abd Al Gader / Associated Press)
Al-Abideen, who was the first civilian to enter the museum after the Sudanese army clawed back Khartoum, walked to a room where staff had gathered all the ordnance found when bomb experts came and sanitized the museum of explosive materials. Lined on the floor was box after box of ballpoint-pen-sized .50-caliber rounds; beside them lay a mound of bullet casings and a half-destroyed drone.
Al-Sanusi joined, and with Al-Abideen continued their macabre tour of the museum’s grounds. They headed to the backyard, where a dozen containers lay in the sun, one for each of the international archaeological missions that had been working in Sudan before the war’s start.
“Everything was packed here for when the research missions were supposed to come back,” Al-Sanusi said, as Al-Abideen heaved a jammed container door open. Inside was a maw of fire-roasted boxes, shards of pottery spilling across the floor, a skull and a scorched femur.
“Now all of it — excavation equipment, notes, samples — it’s all burned. And we don’t even have records for them,” Al-Sanusi said.
Drone and shell casings lie inside a room at the Sudan National Museum in Khartoum, Sudan, in April.
(Bernat Armangue / Associated Press)
“The metal pieces were burned because they thought they could melt them down and find gold in them,” Al-Abideen added.
The ravaging of the museum reflects the destruction seen across Khartoum. The neighborhood where the museum is located — once a well-appointed Nile-side quarter of luxury hotels, architecturally adventurous towers and botanical gardens — became a prime target for the RSF.
The group evolved from the government-supported Janjaweed militias of the 2000s to become the army’s most powerful ally before turning on it in 2023. In Khartoum it went street to street, ransacking what it could, and destroying what it couldn’t. (The RSF denies that its fighters engage in looting.)
Even now, with fighting centered away from Khartoum, the scars persist: Almost no structure, be it the multistory gold souq, the national cinema or the four museums in the capital, stands unscathed. Those buildings not gutted by fire sport a rash of bullet holes or appear gap-toothed where an artillery shell punched through a wall. The mirrored high-rises have no intact windows.
The civil war erupted in April 2023, when the RSF launched attacks across the country aimed at dislodging its rival, the Sudanese military. Before, the two forces had been allies, working together to crush rebellions in Darfur, but also pro-democracy movements that sprung up after the ouster of Sudanese dictator Omar Al-Bashir in 2019.
Since then, the conflict has taken on an ethnic as well as an international dimension, embroiling Sudan’s neighbors but also the UAE, Saudi Arabia, Turkey, Russia, Ukraine and Iran. The U.S. has sanctioned the RSF for war crimes and genocide; rights groups accuse it of sexual violence, torture and forced disappearances. The Sudanese army too has been accused of war crimes.
The stolen antiquities follow other types of bounty the RSF has ransacked. The pieces are spirited across the border to Egypt, Libya, South Sudan and especially Chad, officials say. But they rarely stop there, said Ahmed Junaid, the Sudan representative for UNESCO, which is supporting national authorities in tracking down lost antiquities.
German experts move ancient statues at the Sudan National Museum in the capital, Khartoum, on June 25, 2008.
(Khaled Desouki / AFP via Getty Images)
“We know that some objects went to Europe, Middle East and even Gulf countries,” Junaid said, and from there an unknown number of antiquities entered the regional and international market.
A big challenge for the staff in Khartoum is that there hasn’t been a full accounting of the national museum’s vast holdings from even before the war.
By the museum’s front steps, in the shadow of the main building, Qassem Hassan Nasser leaned in close with a camera and snapped a high-resolution photo of a wooden artifact. Inside, other staff members worked to incorporate paper records into a database. It was all part of a gargantuan effort to stitch together a comprehensive inventory.
There have been some modest successes in tracking down looted antiquities. In January, Sudanese authorities showed off a haul of some 570 items taken from the national museum, including scarab-shaped amulets, along with ancient vases and figurines. They were recovered in Port Sudan, probably before they were to be transported outside the country.
Sudan is hardly the first war-ravaged Middle Eastern nation to have its heritage stolen and sold, said Amr Al-Azm, a Syrian archaeologist and co-director of the Antiquities Trafficking and Heritage Anthropology Research Project.
“In Iraq, Syria, in Lebanon, in Sudan, in Yemen; wherever you have antiquities, it’s a revenue stream,” he said. Much of it can be subsistence looting, with people selling antiquities because their livelihoods have been disrupted by war.
“Then you come to the organized side of things: In all these places, you have a network of criminals and smugglers, and when you get armed, non-state actors, they tap into it. Then they institutionalize the process.”
Ancient sculptures are displayed at the national museum in the Sudanese capital, Khartoum, on June 25, 2008.
(Khaled Desouki / AFP via Getty Images)
The money from selling the antiquities is yet another input enriching the RSF’s financial empire, which experts count as one of the world’s largest non-state economies. The funds have enabled it to purchase fighters’ loyalties, as well as advanced materiel, such as drones.
Many looted items appear on Facebook and channels for the encrypted messaging app Telegram, which are based outside the country, Junaid said.
“The scale and the systematic nature of the looting demonstrates this is no longer an isolated or opportunistic case,” he said, “but rather a broader illicit trade taking Sudan’s cultural identity and historical legacy.”
