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It\u2019s been seven years now since a Quentin Tarantino<\/strong>-directed movie hit the big screen, but one of his most iconic features is easier to watch than ever. This November, though, Tarantino is officially returning to theaters for the release of The Further Mis-Adventures of Cliff Booth<\/strong><\/em>, which is a direct follow-up to the 2019 Oscar-winning film, Once Upon a Time\u2026 in Hollywood<\/strong><\/em>. Tarantino wrote the script for the film, but he passed directorial duties to David Fincher<\/strong> (Se7en<\/em>, Zodiac<\/em>) \u2014 Brad Pitt<\/strong> will return as Cliff Booth in the film, but Leonardo DiCaprio<\/strong> is not expected to reprise his role as Rick Dalton. The Further Mis-Adventures of Cliff Booth<\/em> is getting an exclusive IMAX release in November before it drops on Netflix around the world in December. Tickets are expected to go on sale any day now.<\/p>\n <\/p>\n
Tarantino has only directed nine movies in his career, but he\u2019s given the world some of the greatest motion pictures of all time. Fans could spend eons debating which of Tarantino\u2019s movies is his most famous, but when it comes to the most successful, most would agree that honor belongs to Pulp Fiction<\/strong><\/em>. Starring Samuel L. Jackson<\/strong> and John Travolta<\/strong>, Pulp Fiction<\/em> hit theaters in 1994 carrying only an $8 million budget, and the film grossed more than $213 million at the global box office \u2014 that\u2019s more than 27x its budget. 32 years later, there are no shortage of ways to relive Pulp Fiction<\/em> or watch the film for the first time, if you\u2019re one of the few who have never seen it. Not only is Pulp Fiction<\/em> streaming on Paramount Plus and Prime Video, but the film is also available to stream for free courtesy of Pluto TV<\/strong>.<\/p>\n\n
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Collider Exclusive \u00b7 Oscar Best Picture Quiz<\/span>Which Oscar Best Picture<\/em>Parasite \u00b7 Everything Everywhere \u00b7 Oppenheimer \u00b7 Birdman \u00b7 No Country<\/span><\/p>\n Five Oscar Best Picture winners. Five completely different visions of what cinema can be \u2014 and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.<\/span>\n <\/div>\n\n
\ud83e\ude9c<\/span>Parasite<\/span><\/p>\n\ud83c\udf00<\/span>Everything Everywhere<\/span><\/p>\n\u2622\ufe0f<\/span>Oppenheimer<\/span><\/p>\n\ud83d\udc26<\/span>Birdman<\/span><\/p>\n\ud83e\ude99<\/span>No Country for Old Men<\/span><\/p>\n<\/p><\/div>\n\n FIND YOUR FILM \u2192<\/label>\n <\/p>\n<\/section>\n <\/p>\n\n\n
01<\/p>\n
What kind of film experience do you actually want?<\/span>The best movies don’t just entertain \u2014 they leave something behind.<\/span>\n <\/div>\n\n A<\/span>Something that pulls the rug out \u2014 that makes me think I’m watching one kind of film and then reveals I’m watching another entirely.<\/label>B<\/span>Something overwhelming \u2014 funny, sad, absurd, and genuinely moving, all at once.<\/label>C<\/span>Something grand and weighty \u2014 a film that makes me feel the full scale of what I’m watching.<\/label>D<\/span>Something formally daring \u2014 a film that pushes what cinema can even do.<\/label>E<\/span>Something lean and relentless \u2014 pure tension with no wasted frame.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
02<\/p>\n
Which idea grabs you most in a film?<\/span>Great films are driven by a central obsession. What’s yours?<\/span>\n <\/div>\n\n A<\/span>Class, inequality, and what people are willing to do when desperation meets opportunity.<\/label>B<\/span>Identity, family, and the chaos of trying to hold your life together when everything is falling apart.<\/label>C<\/span>Genius, moral responsibility, and the catastrophic weight of a decision you can never take back.<\/label>D<\/span>Ego, legacy, and the terror of becoming irrelevant while you’re still alive to watch it happen.<\/label>E<\/span>Evil, chance, and whether moral order actually exists or if we just tell ourselves it does.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
03<\/p>\n
How do you like your story told?<\/span>Form is content. The way a story is shaped changes what it means.<\/span>\n <\/div>\n\n A<\/span>Genre-twisting \u2014 I want it to start in one lane and migrate into something completely different.<\/label>B<\/span>Maximalist and genre-blending \u2014 comedy, action, drama, sci-fi, all in one ride.<\/label>C<\/span>Epic and non-linear \u2014 cutting between timelines, building a mosaic of cause and consequence.<\/label>D<\/span>A single unbroken flow \u2014 I want to feel like I’m living it in real time, no cuts to safety.<\/label>E<\/span>Spare and precise \u2014 every scene doing exactly what it needs to do and nothing more.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
04<\/p>\n
What makes a truly great antagonist?<\/span>The opposition defines the protagonist. What kind of opposition fascinates you?<\/span>\n <\/div>\n\n A<\/span>A system \u2014 invisible, structural, and almost impossible to fight because it has no single face.<\/label>B<\/span>The self \u2014 the ways we sabotage, abandon, and fail the people we love most.<\/label>C<\/span>History \u2014 the unstoppable momentum of events that no single person can stop or redirect.<\/label>D<\/span>The industry \u2014 the machinery of culture that chews up talent and spits out irrelevance.<\/label>E<\/span>Pure, implacable evil \u2014 a force so certain of itself it becomes almost philosophical.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
05<\/p>\n
What do you want from a film’s ending?<\/span>The final note is the one that lingers. What do you want it to sound like?<\/span>\n <\/div>\n\n A<\/span>Shock and inevitability \u2014 a conclusion that recontextualises everything that came before it.<\/label>B<\/span>Earned emotion \u2014 I want to cry, laugh, and feel genuinely hopeful, even if the world is a mess.<\/label>C<\/span>Devastation and grandeur \u2014 an ending that makes me sit in silence for a few minutes after.<\/label>D<\/span>Ambiguity \u2014 something that leaves enough open that I’m still thinking about it days later.<\/label>E<\/span>Bleakness \u2014 an honest refusal to pretend the world is tidier than it actually is.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
06<\/p>\n
Which setting pulls you in most?<\/span>Where a film takes place shapes everything \u2014 mood, stakes, what’s even possible.<\/span>\n <\/div>\n\n A<\/span>A gleaming modern city with a hidden underside \u2014 beauty masking rot, wealth masking desperation.<\/label>B<\/span>A collapsing suburban life that opens onto something infinite \u2014 the multiverse of a single ordinary person.<\/label>C<\/span>The corridors of power and science at a world-historical turning point \u2014 where decisions echo for decades.<\/label>D<\/span>The grimy, alive chaos of New York and Hollywood \u2014 fame as both destination and trap.<\/label>E<\/span>Vast, indifferent landscape \u2014 desert and highway where violence arrives without warning or reason.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
07<\/p>\n
What cinematic craft impresses you most?<\/span>Every great film has a signature \u2014 a technical or artistic element that makes it unmistakable.<\/span>\n <\/div>\n\n A<\/span>Production design and mise-en-sc\u00e8ne \u2014 every frame composed to carry meaning beneath the surface.<\/label>B<\/span>Editing and tonal control \u2014 the ability to move between registers without losing the audience.<\/label>C<\/span>Score and sound design \u2014 music that becomes inseparable from the dread and awe of what you’re watching.<\/label>D<\/span>Cinematography as performance \u2014 the camera not recording events but participating in them.<\/label>E<\/span>Silence and restraint \u2014 what’s left unsaid and unshown doing more work than any dialogue could.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
08<\/p>\n
What kind of main character do you root for?<\/span>The protagonist is the lens. Who you choose to follow says something about you.<\/span>\n <\/div>\n\n A<\/span>Someone smart and resourceful who makes increasingly dangerous decisions under pressure.<\/label>B<\/span>Someone overwhelmed and ordinary who turns out to be capable of something extraordinary.<\/label>C<\/span>A brilliant, tortured figure whose gifts and flaws are inseparable from each other.<\/label>D<\/span>A self-destructive artist whose ego is both their superpower and their undoing.<\/label>E<\/span>A quiet, principled person trying to make sense of a world that has stopped making sense.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
09<\/p>\n
How do you feel about a film that takes its time?<\/span>Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.<\/span>\n <\/div>\n\n A<\/span>I love a slow build when I know the payoff is going to be seismic \u2014 patience for a devastating reveal.<\/label>B<\/span>Give me relentless momentum \u2014 I want to feel breathless and emotionally spent by the end.<\/label>C<\/span>Epic runtime doesn’t scare me \u2014 if the material demands three hours, give me three hours.<\/label>D<\/span>I want it to feel propulsive even when nothing is technically happening \u2014 restless energy throughout.<\/label>E<\/span>Deliberate and unhurried \u2014 I want dread to accumulate in the spaces between the action.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
10<\/p>\n
What do you want to feel walking out of the cinema?<\/span>The best films leave a mark. What kind of mark do you want?<\/span>\n <\/div>\n\n A<\/span>Unsettled \u2014 like I’ve just seen something I can’t fully explain but can’t stop thinking about.<\/label>B<\/span>Moved and energised \u2014 like the film reminded me what actually matters and gave me something to hold onto.<\/label>C<\/span>Humbled \u2014 like I’ve been in the presence of something genuinely important and overwhelming.<\/label>D<\/span>Exhilarated \u2014 like I’ve just seen cinema doing something it’s never quite done before.<\/label>E<\/span>Haunted \u2014 like a cold, quiet dread that stays with me for days.<\/label>\n <\/p>\nREVEAL MY FILM \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
The Academy Has Decided<\/span>Your Perfect Film Is\u2026<\/span><\/p>\nYour answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.<\/p>\n<\/p><\/div>\n
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Parasite<\/span><\/p>\nYou are drawn to films that operate on multiple levels simultaneously \u2014 that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that \u2014 a film that rewards close attention and punishes assumptions, right up to its devastating final image.<\/p>\n<\/p><\/div>\n
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