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Spider-Man: Brand New Day<\/strong> <\/em>might’ve overtaken Star Wars: The Force Awakens<\/strong><\/em> to become the highest-grossing film of all time at the domestic box office, but its time as the most dominant force in theaters is over. Now, the MCU’s latest blockbuster is dropping dramatically, being overtaken in the daily ranks by The Odyssey<\/strong><\/em>, despite Christopher Nolan<\/strong>‘s ambitious historical epic being available in over 1,000 fewer locations. With the box office not as relevant as it was a couple of weeks ago, why not fill your weekend with streaming? With that in mind, here’s a look at three<\/strong> Prime Video movies you should watch this weekend<\/strong>.<\/p>\n <\/p>\n
For more recommendations, check out our list of the best shows and movies on Prime Video.<\/p>\n
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\n 1 <\/span>\n Rotten Tomatoes: 98% | IMDb: 8.2\/10 Once the holder of the opening weekend box office record for an anime title in America, Demon Slayer: Kimetsu no Yaiba \u2013 The Movie: Mugen Train<\/strong><\/em>, is one of the most exciting new additions to Prime Video, having joined the platform earlier this week alongside the first four seasons of the Demon Slayer<\/em> anime series. This weekend, it should be right at the top of your watchlist.<\/p>\nDocumenting Tanjiro Kamado’s journey as a demon slayer, Kimetsu no Yaiba – The Movie: Mugen Train<\/em> is his most difficult mission yet, as he and his companions face their first direct battle against the Demon King Muzan Kibutsuji’s elite inner circle. For utterly immersive, explosive action and drama this weekend, you can never go wrong with anime, especially not one of the best in recent memory.<\/p>\n\n
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Collider Exclusive \u00b7 Horror Survival Quiz<\/span>Which Horror Villain<\/em> Do You Have the Best Chance of Surviving?<\/span>Jason Voorhees \u00b7 Michael Myers \u00b7 Freddy Krueger \u00b7 Pennywise \u00b7 Chucky<\/span><\/p>\n Five killers. Five completely different ways to die \u2014 if you’re not smart enough, fast enough, or self-aware enough to avoid it. Only one of them is the villain your particular set of instincts gives you a fighting chance against. Eight questions will figure out which one.<\/span>\n <\/div>\n\n
\ud83c\udfd5\ufe0f<\/span>Jason<\/span><\/p>\n\ud83d\udd2a<\/span>Michael<\/span><\/p>\n\ud83d\udca4<\/span>Freddy<\/span><\/p>\n\ud83c\udf88<\/span>Pennywise<\/span><\/p>\n\ud83e\ude86<\/span>Chucky<\/span><\/p>\n<\/p><\/div>\n\n TEST YOUR SURVIVAL \u2192<\/label>\n <\/p>\n<\/section>\n <\/p>\n\n\n
01<\/p>\n
Something feels wrong. You can’t explain it \u2014 you just know. What do you do?<\/span>First instincts are the difference between the survivor and the first act casualty.<\/span>\n <\/div>\n\n A<\/span>Leave immediately. I don’t need to understand a threat to respect it.<\/label>B<\/span>Stay quiet and observe. If I can see it, I can understand it. If I can understand it, I can avoid it.<\/label>C<\/span>Stay awake. Whatever this is, I am not going to sleep until I feel safe again.<\/label>D<\/span>Confront it directly. Fear grows in the dark \u2014 I’d rather know what I’m dealing with.<\/label>E<\/span>Check everything, trust nothing. The threat might be closer than I think \u2014 and smaller.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
02<\/p>\n
Where are you most likely to find yourself when things go wrong?<\/span>Setting is everything in horror. Where you are determines which rules apply.<\/span>\n <\/div>\n\n A<\/span>Somewhere remote \u2014 a cabin, a campsite, off the grid and away from people.<\/label>B<\/span>A quiet suburban neighbourhood where nothing ever happens. Except tonight.<\/label>C<\/span>In my own head \u2014 the most dangerous place of all, depending on what’s already in there.<\/label>D<\/span>Wherever children are \u2014 because something about this place attracts the worst things.<\/label>E<\/span>Somewhere ordinary \u2014 a house, a toy store, a place where the last thing you’d expect is a threat.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
03<\/p>\n
What is your most reliable survival asset?<\/span>Every survivor has a quality the villain didn’t account for. What’s yours?<\/span>\n <\/div>\n\n A<\/span>Physical fitness \u2014 I can run, I can swim, I can outlast something that relies on brute persistence.<\/label>B<\/span>Spatial awareness \u2014 I always know the exits, the hiding spots, the fastest route out.<\/label>C<\/span>Psychological resilience \u2014 I’ve faced my worst fears before. They don’t have the same power over me.<\/label>D<\/span>Emotional steadiness \u2014 I don’t panic. Panic is what gets you caught.<\/label>E<\/span>Scepticism \u2014 I don’t underestimate threats because of how they look. Size is irrelevant.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
04<\/p>\n
What kind of fear is hardest for you to fight through?<\/span>Knowing your weakness is the first step to not dying because of it.<\/span>\n <\/div>\n\n A<\/span>The unstoppable \u2014 something that will not stop, cannot be reasoned with, and is always getting closer.<\/label>B<\/span>The invisible \u2014 a threat I can feel but can’t locate, watching from somewhere I can’t see.<\/label>C<\/span>The psychological \u2014 something that uses my own mind and memories against me.<\/label>D<\/span>The unknowable \u2014 something ancient, shapeless, that feeds on the fear itself.<\/label>E<\/span>The mundane \u2014 a threat so ordinary-looking that no one will believe me until it’s too late.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
05<\/p>\n
You’re with a group when things start going wrong. What’s your role?<\/span>Horror movies are brutally clear about who survives group situations and who doesn’t.<\/span>\n <\/div>\n\n A<\/span>The one who says “we need to leave” first \u2014 and means it, even when no one listens.<\/label>B<\/span>The one who stays quiet, watches the others, and figures out the pattern before anyone else does.<\/label>C<\/span>The one who holds the group together when panic sets in \u2014 because someone has to.<\/label>D<\/span>The one who asks the questions nobody wants to ask \u2014 because ignoring them gets people killed.<\/label>E<\/span>The one who takes the threat seriously when everyone else is laughing it off.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
06<\/p>\n
What’s the horror movie mistake you’re most likely to make?<\/span>Honest self-assessment is a survival skill. Denial is not.<\/span>\n <\/div>\n\n A<\/span>Going back for someone \u2014 I know I shouldn’t, but I can’t leave them behind.<\/label>B<\/span>Assuming I’m safe once I’ve found a hiding spot. That’s when it finds me.<\/label>C<\/span>Falling asleep when I absolutely cannot afford to. Exhaustion is its own enemy.<\/label>D<\/span>Letting my curiosity override my instincts \u2014 I always need to understand what I’m dealing with.<\/label>E<\/span>Dismissing the threat because of how it looks. That’s exactly what it wants.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
07<\/p>\n
What’s your best weapon against something that can’t be stopped by conventional means?<\/span>Every horror villain has a weakness. The survivors are always the ones who find it.<\/span>\n <\/div>\n\n A<\/span>The environment itself \u2014 I use the terrain, the water, the geography against it.<\/label>B<\/span>Patience \u2014 I wait, I watch, and I strike at the one moment it doesn’t expect.<\/label>C<\/span>Lucidity \u2014 if I can stay in control of my own mind, it loses its primary weapon.<\/label>D<\/span>Courage \u2014 facing it directly, refusing to run, taking away the fear it feeds on.<\/label>E<\/span>Improvisation \u2014 I use whatever’s at hand, however unconventional. Creativity over brute force.<\/label>\n <\/p>\nNEXT QUESTION \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
08<\/p>\n
It’s the final scene. You’re the last one standing. How did you make it?<\/span>The final survivor always has a reason. What’s yours?<\/span>\n <\/div>\n\n A<\/span>I kept moving. I never stopped, never hid for too long, never let it corner me.<\/label>B<\/span>I figured out the pattern before anyone else did \u2014 and I used it against the thing following it.<\/label>C<\/span>I stayed awake, stayed lucid, and refused to give it the one thing it needed most.<\/label>D<\/span>I stopped being afraid of it. And the moment I did, everything changed.<\/label>E<\/span>I took it seriously from the start \u2014 and I never once made the mistake of underestimating it.<\/label>\n <\/p>\nREVEAL MY VILLAIN \u2192<\/label><\/p>\n<\/section>\n <\/p>\n\n\n
Your Survival Odds Have Been Calculated<\/span>Your Best Chance Is Against\u2026<\/span><\/p>\nYour instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else \u2014 good luck.<\/p>\n<\/p><\/div>\n
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\n Camp Crystal Lake \u00b7 Friday the 13th<\/span>\n <\/p>\n\n
Jason Voorhees<\/span><\/p>\nJason is relentless, but he is also predictable \u2014 and that is the gap you would exploit.<\/p>\n
\nHe moves in straight lines toward his target. He doesn’t strategise, doesn’t adapt, doesn’t outsmart. He simply pursues.<\/li>\n Your ability to keep moving, use the environment, and resist the panic that freezes most victims gives you a genuine edge.<\/li>\n The Crystal Lake survivors were always the ones who stopped running in circles and started thinking about terrain, water, and distance.<\/li>\n You think like that. Which means Jason, for all his indestructibility, would face someone who simply refused to be where he expected.<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n <\/p>\n
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\n Haddonfield, Illinois \u00b7 Halloween<\/span>\n <\/p>\n\n
Michael Myers<\/span><\/p>\nMichael watches before he moves. He is patient, methodical, and almost impossible to detect \u2014 until it’s too late for anyone who isn’t paying close enough attention.<\/p>\n
\nBut you are paying attention. You notice the shape in the window, the car parked slightly wrong, the silence where there should be sound.<\/li>\n Michael’s power lies in the invisibility of ordinary suburbia \u2014 the fact that nothing ever looks wrong until it already is.<\/li>\n Your spatial awareness and instinct to map every room, every exit, and every shadow before you need them is precisely the quality Laurie Strode had.<\/li>\n You are not a victim waiting to happen. You are someone who already suspects something is wrong \u2014 and acts on it.<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n <\/p>\n
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\n Elm Street \u00b7 A Nightmare on Elm Street<\/span>\n <\/p>\n\n
Freddy Krueger<\/span><\/p>\nFreddy wins by getting inside your head \u2014 using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised.<\/p>\n
\nYou are harder to destabilise than most. You’ve faced uncomfortable truths about yourself and you haven’t looked away.<\/li>\n The survivors on Elm Street were always the ones who understood what was happening and chose to face it rather than flee from it.<\/li>\n Freddy’s greatest weakness is that his power evaporates in the presence of someone who refuses to give him the fear he feeds on.<\/li>\n Your psychological resilience \u2014 the ability to stay grounded when reality itself becomes unreliable \u2014 is exactly the quality that keeps you alive here.<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n <\/p>\n
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\n Derry, Maine \u00b7 It<\/span>\n <\/p>\n\n
Pennywise<\/span><\/p>\nPennywise is ancient, shapeshifting, and feeds on terror \u2014 but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.<\/p>\n
\nThe Losers Club didn’t survive because they were braver than everyone else. They survived because they faced their fears together, and faced them honestly.<\/li>\n You ask the questions others avoid. You look directly at what frightens you rather than turning away.<\/li>\n That directness \u2014 the refusal to let fear fester in the dark \u2014 is Pennywise’s worst nightmare.<\/li>\n It chose the wrong target when it chose you. You are exactly the kind of person whose fear tastes like nothing at all.<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n <\/p>\n
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\n Chicago \u00b7 Child’s Play<\/span>\n <\/p>\n\n
Chucky<\/span><\/p>\nChucky’s greatest advantage is that nobody takes him seriously until it’s already too late. He exploits the gap between how something looks and what it actually is.<\/p>\n